Another first for me. This is first editorial of the post-Wyzanski era. Most of Dick's previous editorials of course were about Jeff's career and what direction it was taking. Dick would sometimes go into these detailed discertaions of what Jeff was doing and maybe what he should do. To me it was simple. He was simply forging ahead trying not to repeat himself. This is something Jeff did brilliantly with his latest collaboration with Rosie Bones and Carmen Vandenberg on the 'Loud Hailer' release. And even when he's playing a song on tour that he's played for decades you can hear little differences, different phrasings that further and further refine the song and all have that 'how the f**k did he do that?' component.
For this editorial I would like to address an aspect of Jeff's career that affects him as well as all of us...aging. I don't think anyone can argue that Jeff has aged well, physically and career-wise.
Compared to many of his generation and mine he's entering his mid 70's still able to do grueling tour schedules, create great music in the studio for himself and others and work on his house and cars.
As for the other members of the 'triumverate', we were recently sad to hear that Eric Clapton might not be touring anymore due to back problems. Page is doing well these days after some back problems a while ago but if you ask me, even though he's a multi-millionaire, career-wise he's got to come out with some new stuff and not just another Led Zeppelin remaster. I know he's got it in him. Jeff on the other hand is making fresh, new music with musicians we've almost never heard of until a recording comes out. He also tours with them, bringing them onboard and mentoring them.
Jeff has been a vegetarian since 1969. We know he drinks but only in moderation, a beer, but mostly wine and sparkling wines, champagne and prosecco. His greatest health risks seem to be cars, driving them and working on them.
This brings us around to Dick Wyzanski. His widow Trini and son Rich and I have had some conversations and we hope they can possibly help someone somewhere.
Dick did not take aging well at all. As he aged he saw himself gain weight, slow down, like we all do. In his younger years he exercised a lot, even got into body building for a while. In his later years he never drank and had a pretty good diet.
Dick however thought he could beat aging. He got into this 'life extention' movement which is based mainly on 'supplements'. Down here in Florida we have these ads on the radio. 'Low T?' come on in and we'll test you. Testosterone shots, HGH shots, they'll make you lose weight, you'll feel young again, you're sex life will improve etc. Dick bought into all of it. That and the supplements. After every meal he took, I swear, 20 to 25 pills. I would say, "What are all those? What do they do?" After the 5th pill I would say, "Really?". Every month he spent an amount of money on pills you wouldn't believe. Whenever a new supplement hit the store, the store would email him and he would rush down to purchase it.
Now there's no doctor, no computer program that possibly analyze how that many pills, that many chemicals, could possibly interact which each other and the metabolism of your own body. On top of hormone injections? Do I sound angry? I am.
Dick died of cancer. Do I know for sure if all this stuff caused it? No. No one can say for sure but it sure seems really suspicious to me.
I myself have some health issues but they're pretty minor. Because of them I see a doctor every 6 months for blood work. Once a year a full physical, blood, urine, ekg. Colonoscopies every 3 to 5 years, dermatologist for skin checks, quite a few lately. Did Dick do all this stuff? Nope. I would bug him, "Dick, you go to your general practioner regularly right?" He would say, "No, doctors are just middlemen between you and your insurance company." "WTF?". If he had his bladder cancer would have been caught a long time ago.
Sorry for the venting but I had to do it. Please for the people you love and the people who love you be smart about your health. Embrace your aging gracefully and hopefully you'll be around to listen to Jeff Beck for years to come.
Be seeing you. BA
The following pics were sent via SJ, taken by our longtime Japanese correspondents Toshi, Hiroko and Tomoko.
Pacifico Yokohama, Yokohama, Japan, January 25, 2017
Sendai Sunplaza Hall, Sendai, Japan, January 26, 2017 These pics sent to us from our newest correspondent Tomoko. Hiroko and Toshi also there.
Iwate Kenmin Kaikan, Morioka, Japan, January 28, 2017 (Got some pics from Iwate, but weren't that good.)
Tokyo International Forum Hall, Tokyo, Japan, January 30, 2017
Tokyo International Forum Hall, Tokyo, Japan, January 31, 2017
Grancube Osaka, Osaka, Japan, February 2, 2017
Fukuoka Sunpalace, Fukuoka, Japan, February 3, 2017
Hiroshima Ueno Gakuen Hall, Hiroshima, Japan, February 4, 2017
Nagoya City Hall, Nagoya, Japan, February 6, 2017
Archaic Hall, Hyogo, Japan, February 7, 2017
Chris Farlowe and The Thunderbirds: The Beginning… Historic Demo Recording Produced by Jimmy Page Coming April 30 Legendary Led Zeppelin guitarist and producer’s first official production available now for pre-order via JimmyPage.com Exclusive Stream of “Money” Track Premiere Available now via RollingStone.com Available now for the very first time, Chris Farlowe and The Thunderbirds: The Beginning…presents a 12-song demo recording produced by legendary guitarist and producer Jimmy Page. Recorded in 1961 at RG Jones Sound Studio in Morden, London, this historic session marks the launch of a highly successful career for Chris Farlowe. It was also the very first official turn in the producer’s chair for Jimmy Page who went on to capture the timeless studio and live performances of Led Zeppelin that today serve as a blueprint for all modern rock recordings that followed in their formidable wake. For both, it all started with “The Beginning…” These revelatory performances, available for pre-order now and scheduled for exclusive worldwide distribution via JimmyPage.com on April 30, brilliantly capture the spirit of adventure and excitement of the London music scene in the early 1960s. In his liner notes accompanying “The Beginning…” Farlowe summarized his first encounter with Page and the session by stating, “We would play anywhere just for the buzz and it was at one of these gigs that we met a very young boy called Jimmy Page, who liked my band and my guitarist Bobby Taylor. Jimmy suggested that he wanted to record a demo album of the band, so he booked the RG Jones studio in Morden, London, and now after 56 years, it is to see the light of day.” And what a musical storm they conjured! As Page points out in his liner notes for the album, you’d never know that Farlowe and his band mates were in a recording studio for the first time. “The band settled into their recording role immediately and an album was recorded that day. The guitar and bass were recorded by direct injection and the band listened to their progress via headphones…They adapted really quickly to this method, the individual performance exhibits the style and class that this band had and Chris Farlowe’s performance is absolutely extraordinary.” The band’s tightness and musical telepathy is apparent from the get-go with two hard driving instrumentals to kick off the recording. The opening track, Entry of the Slaves, features Bobby Taylor on guitar who is described by Page in the liner notes as, “the coolest stylist, both in his image and his playing, that I had seen in a guitarist who was in an unsigned band.” The incendiary Spring is Near follows and showcases the rhythm section’s individual and collective talents with both Johnny Warne on bass and Johnny Wise on drums contributing thrilling solos. On track three, Farlowe steps up to the mic and tears into a powerful version of the Ray Charles classic What’d I Say. Next up are spirited versions of the rock and roll classics Let the Good Times Roll, Sticks and Stones, Kansas City and I’m Moving On. Each track is powered along by Wise and Warne, and feature cracking guitar solos from Taylor. The volume and tempo comes down, but the intensity remains high on the soulful ballad Just a Dream, which features an emotional and heart wrenching vocal turn from Farlowe. On this track, The Thunderbirds provide brilliant dynamics and atmosphere to set the perfect mood behind Farlowe’s vocal. From here, the recording shifts gears again with Money driven along by a rumbling beat on the tom-toms from Wise and more gorgeous guitar work from Taylor. Farlowe’s howling vocal breathes new life and fire into this timeless rock and roll standard. On Matchbox, The Thunderbirds lay down a powerful and respectful homage to the great Carl Perkins classic with a groove that chugs along like a freight train barreling down the track, with every strum, pluck and beat brilliantly captured by Page on tape. Next up, Farlowe and The Thunderbirds make Don Gibson’s Hurtin’ Inside their own with Taylor’s fiery licks and Wise’s snare drum work perfectly complimenting Farlowe’s soulful delivery and his incredible range. A spirited version of Bobby Parker’s Watch Your Step closes out the proceedings with Farlowe deftly pushing the band along, climbing up his range effortlessly into falsetto and ad-libbing brilliantly into the fadeout. Page’s complete satisfaction with what he was able to capture on tape that day is abundantly clear. “I’m really pleased to be able to make this musical document available for the first time to give an idea of the musical cauldron that was going on in London in 1961, a few years before the Chicago Blues renaissance and The Beatles.” These recordings on The Beginning…marked the first collaboration between Page and Farlowe who went on to work together when Page was a session musician and Farlowe was on Immediate Records. Page featured on the hit single Out Of Time. In 1982, Farlowe featured on Page’s Death Wish II soundtrack, and again when Farlowe made a guest appearance on Page’s 1988 solo album Outrider. Chris Farlowe and The Thunderbirds: The Beginning is now available for pre-order at Jimmy Page.com in advance of its April 30 release date. The release is available in two editions: Standard and Deluxe. The 1-LP, 1-CD set is available signed and numbered by Chris Farlowe and Jimmy Page in a limited edition release bringing the signatures of two music legends together for the very first time. Tracklist: 1.) Entry of the Slaves 2.) Spring is Near 3.) What’d I Say 4.) Let the Good Times Roll 5.) Sticks and Stones 6.) Kansas City 7.) I’m Moving On 8.) Just a Dream 9.) Matchbox 10.) Money 11.) Hurtin’ Inside 12.) Watch Your Step Media Contact Bill McCue Chart Room Media
He never came on my radar in Zephyr. In the James Gang or Deep Purple either. It was his work on Billy Cobham's 'Spectrum' album and the track 'Stratus' that peaked my interest. 'Spectrum' of course was the album that Carmine Appice says he played for Jeff Beck one day in his car and that some say gave Jeff the impetus to steer his career towards fusion and the rest is history. The 'paths crossed' aspect of this album besides Tommy Bolin of course was Jan Hammer and the fact that 'Stratus' has become a stalwart in Jeff's set in recent years.
Tommy released two solo albums both of which I really like, 'Teaser' and 'Private Eyes'. Looking at the album credits you can't but notice the personnel that also recorded with Jeff or had two degrees seperation from Jeff. On 'Teaser' you had Jan Hammer and Narada Michael Walden. On 'Private Eyes' you had Carmine Appice and his Vanilla Fudge bandmate Mark Stein. In Tommy's touring band you had again Narada Michael Walden (drums) for a while as well as Mark Stein (keyboards)
Jeff and Tommy's paths first crossed in 1969. One of Tommy's first bands, Zephyr opened for the Jeff Beck Group at the Fillmore West April 10, 11, 12 and 13 of that year. Other than running into each other backstage it's not known if they met. If we get the chance we should ask Jeff that if he remembers.
I'm pretty sure Jeff remembers Friday, December 3, 1976. The Miami Jai Alai Fronton, the first date of several U.S. shows Jeff did that month with Jan Hammer in which Tommy Bolin and his band were to open. Tommy was scheduled open to 5 shows, he only did one, dying in the early hours of Saturday, December 4th at the Newport Hotel which was at the time in North Miami Beach but is now Sunny Isles, Florida by what was reportly a drug overdose. You can get a recording of Tommy's last show at amazon.com...https://www.amazon.com/Live-Miami-At-Jai-Alai/dp/B01HRYV0YQ.
There's also on YouTube a three part recording Jeff and Tommy jamming. Posted by Bobby Berge some years ago this is his description...
Hey ALL ! part-2 is still TOMMY on Guitar, JEFF on bass, and Me[Bobby Berge] on drums. This is a Jam at our Friend[Phillip Polemini's] small Studio on GlenHolly Dr. up Beachwood Dr, in Hollywood Hills. It was late spring of 1976 when JEFF was in town to do concert at the Starlight Bowl. Phillip recorded on cassette. This is actually our second Jam of the night----unfortunately,Phillip recorded over first Jam with JEFF on guitar and TOMMY on bass.
Here are the links...
I got to meet Tommy just a few months before he passed. Tommy did a live radio broadast on September 22, 1976 from Northern Lights Studio in Maynard, Massachusetts which was broadcast on WBCN. I got to get into the studio and spend the whole day there as a friend of mine, Jon Magoon, from my hometown was an engineer there. I had been there many times before but was thrilled that Tommy Bolin was going to be there. I could be wrong but I seem to remember Jonathan Edwards opening the show. You can get this show too on amazon.com...https://www.amazon.com/Live-Northern-Lights-Recording-Studios/dp/B000003S6O.
Northern Lights Studio was in a building that was once a movie theater. It had one very large room with a very high ceiling I remember. The control room was upstairs where the projection room used to be. So I'm hanging there all day, watching soundcheck and stuff. At one point Tommy and one of the band members came over to me and the other people I was standing with and asked if we could get them some coke, as in cocaine. This was 1976 and we were like 22 years old at the time and said, "No, but we might have some weed." They weren't at all interested in that. At some point maybe 45 minutes before air time I'm pretty sure they scored somehow because the band was suddenly really happy literally running back to the make shift dressing room they had off to the side of the main studio room. None of this affected their performance however, they tore the place up, really great playing by everyone. However when I learned of Tommy's passing I kind of thought hmmmmm.
One reason I think about Tommy from time to time is I drive past the Newport Hotel everyday on my way to work. I drive down A1A from Hollywood, FL to North Bay Village. It's another sad story, another rock n' roll casualty I guess.
Jeff Beck - guitar Rhonda Smith - bass/vocals Vinnie Colaiuta - drums Jimmy Hall - vocals Vanessa Freebairn-Smith - cello/guitar/guitar synthesizer
And now the dates....
JEFF BECK EUROPEAN TOUR 2018 June 5 - TBA June 8 - Grollo, Netherlands, Holland - International Blues Festival June 9 - Paris - Olympia Theater June 12 - Nottingham, UK - Royal Concert Hall June 13 - Glasgow, Scotland - Royal Concert Hall June 15 - London, UK - Live At Chelsea June 16 - Liverpool, UK - Philharmonic Hall June 19 - Berlin - Tempodrom June 20 - Munich, Germany - Circus Krone June 21 - Pratteln, Switzerland - Z7 June 23 - Brescia, Italy - Teatro Vittoria June 24 - Rome, Italy - Teatro Ostia Antica June 25 - Torino, Italy - Stupinigi Park June 28 - Barcelona, Spain - Jardins de Pedralbes June 29 - Madrid, Spain - Noches del Botanico Festival June 30 - Sondika, Spain - Music Legends Festival July 2 - Vienne, France - Jazz a Vienne Festiva July 4 - Dusseldorfm Germany - Redbox July 5 - Karlruhe, Germany - Tollhaus Festival July 7 - Skaanevik, Norway - Skaanevik Blues Festival July 9 - Copenhagen, Denmark - Copenhagen Jazz Festival July 14 - London, UK - Private gig
And this was the set list for most of the shows or a version of it...
1. Pull It 2. Stratus 3. Nadia 4. You Know You Know 5. Morning Dew 6. I Have To Laugh (Otis Rush) 7. Star Cycle 8. Lonnie on the Move 9. Mná na h-Éireann 10. Just For Fun 11. Little Wing 12. A Change Is Gonna Come 13. Big Block 14. Cause We've Ended As Lovers 15. You Never Know 16. Blue Wind 17. Brush With The Blues 18. Superstition 19. A Day in the Life Encore: 20. You Shook Me 21. Going Down
In this day and age of course there are loads of cellphone videos on YouTube. We all know the drill, just search for 'Jeff Beck live 2018' and they'll all pop up. A few we've noticed that were good...from early on in the tour a bunch from the Olympia Theater in Paris...and the show in Barcelona.
And now some reviews from the press...
The Chelsea Hospital w/Imelda May opening...
And now for some pics...if you want the best, go to the pros I always say. This link sent to me by a pro, Rudy Leukfeldt from
the Holland International Blues Festival.
We also got this pic from Hans Edink from the Holland International Blues Festival. Here's Hans with Jeff and Steve Lukather who is in Ringo Starr's All Star Band which also performed at the festival.
July 18 - West Valley City, UT - Usana Amphitheatre July 20 - Los Angeles, CA - Five Point Amphitheatre July 21 - Phoenix, AZ - Celebrity Theater w/Nils Lofgren July 22 - Chula Vista, CA - Mattress Firm Amphitheatre July 24 - Houston, TX - Smart Financial Centre at Sugar Land July 25 - Dallas, TX - The Pavilion at Toyota Music Factory July 26 - Austin, TX - Moody Theater (solo show) July 28 - St. Louis, MO - Hollywood Casino Amphitheatre July 29 - Chicago, IL - Huntington Bank Pavilion at Northerly Island July 31 - Clarkston, MI - DTE Energy Music Theatre Aug. 1 - Toronto, ON - Budweiser Stage Aug. 3 - Boston, MA - Blue Hills Bank Pavilion Aug. 4 - Camden, NJ - BB&T Pavilion Aug. 5 - York, PA - Appell Center Aug. 7 - Lewiston, NY - Art Park w/Ann Wilson Aug. 8 - Cincinnati, OH - Riverbend Music Center Aug. 10 - Indianapolis, IN - Ruoff Home Mortgage Music Center Aug. 11 - Pittsburgh, PA - Heinz Hall w/Ann Wilson Aug. 12 - Holmdel, NJ - P.N.C. Bank Arts Center Aug. 14 - Wantagh, NY - Northwell Health at Jones Beach Theater Aug. 15 - Port Chester, NY - Capitol Theater (solo show) Aug. 17 - Nashville, TN - Nashville Municipal Auditorium Aug. 19 - Charlotte, NC - PNC Music Pavilion Aug. 20 - Vienna, VA - Wolftrap w/Ann Wilson Aug. 22 - Atlanta, GA - Chastain Amphitheater Aug. 23 - Jacksonville, FL - Daily's Place Amphitheater Aug. 25 - West Palm Beach, FL - Coral Sky Amphitheatre Aug. 26 - Tampa, FL - MidFlorida Credit Union Amphitheatre
Tour Reports From The Press
From the heraldextra.com, West Valley City, UT, USANA Amphitheatre, July 18, 2018...
From sonicnation.net, Maryland Heights, MO, Hollywood Casino Amphitheatre, July 28, 2018...
From uproxx.com, Chicago, IL, Huntington Bank Pavilion at Northerly Island, July 29, 2018...
From the niagra-gazette.com, Lewiston, NY, Art Park, August 7, 2018...
From clclt.com, Charlotte, NC, PNC Music Pavilion, August 18, 2018...
Tour Reports From The Fans
From Bill Armstrong, Boston, MA, Blue Hills Bank Pavilion, August 3, 2018...
Boston always seems like a good venue for Jeff Beck. When he first went solo with The Jeff Beck Group and played the old (first) Boston Tea Party that started a love affair that continues to this day.
I headed into town with a car full of friends. The Blue Hills Pavilion is actually a short drive from my home there, you go right thru the Ted Williams tunnel and you're there. We were all a little naughty though. Instead of heading right to the show, we decided to go the Morton's Steak House which is right down the street and have drinks and a snack. In doing so we missed both Deborah Bonham and Ann Wilson, oops. If my memory serves me right (it might not), this is the second time I've done this. I saw Jeff play the Music Hall in Boston in '75 and I think Heart was opening. A bunch of us blew that off and went to a hotel bar across the street until it was Jeff's time to come onstage. Hah.
We finally got the venue and although there had been a heat wave there for several days it was not too hot there because the place in right on the 'hahbah'. Jeff came onstage around 8pm and like every Boston show I've been to the crowd went bezerky-nuts. Here's the setlist...
Pull It Stratus You Know You Know Nadia Morning Dew I Have To Laugh (old Otis Rush song, new) Lonnie On The Move Mna Just For Fun (Jan Hammer tune, new) Little Wing Big Block Syreeta (Cause We Ended) Brush With Blues Superstition A Day In The Life encore Corpus Christi/Goin' Down
You can see all of these songs from this tour on YouTube so there's no need for extensive descriptions but here's just a few things I noted...
Even though it wasn't that hot out, once you sat down in the middle of the crowd (we were in the 15th row, thanks Kevin) it was warm. The band...what can you say, Rhonda and Jimmy are solid, solid, day in, day out, year in, year out. The 'new girl', Vanessa Freebairn-Smith was great when you could hear her. I had a little trouble hearing her until 'Nadia' but on 'Mna' you could see why Jeff picked her up. The two 'new' songs, 'I Have To Laugh' and 'Just For Fun' were fun additions to the set. Vinnie Colaiuta, although we love JJ, great to see him back in the chair. He plays a little harder, a little louder and a little more aggressive than JJ. He really drove that big rig.
We had to go backstage to see Jeff after his set so we missed the beginning of Paul Rodger's set...actually we missed the whole thing because we headed out to beat the traffic, oops again.
Backstage I have to admit I had a mission and it was just to thank everybody for giving Dick the time of his life the last time he saw them all up in Chicago in 2016. It's have to believe we just the the two year mark of Dick's passing this past September 10th. I saw Rhonda and Jimmy first to thank and they as usual were so nice. They both said they missed Dick and think of him. I had a several minute talk with Jimmy about Dick which turned into what people our age talk about...all the more people we know now that have healthe problems and/or have passed. Jimmy was telling me about his brother Jack who was and is the bass player in Wet Willie. Jack has cancer and Jimmy was telling me how they both did a southern rock themed cruise ship gig earlier in the year that Jack soldiered through despite his recent treatments.
Jeff always comes out a bit after everyone else, Vinnie didn't come out at all but both things are understandable since Jeff and Vinnie really the two that really have to tear it up for the whole set. I got just a minute or two to thank Jeff and he smiled when I mentioned Dick. It can be hard to really talk to him in these setting because there are 10 other people there trying to do the same thing. Last, a big thank you to Chris Fenn, he is such a good guy with a really hard job trying to wrangle these unscheduled 'meet and greets' on top of everything else he does. Also just as we were leaving I gave a shout out to Shon Hartman, Jeff's longtime monitor mixer who was walking Jeff back to the bus....he was a little stunned that I knew who he was and recognized him. LOL
Now a disclaimer...I took a couple of selfies backstage. I hate pictures of myself and I don't take good selfies especially since I just got this new phone a couple of weeks before. But here they are, I'm making them small.
Be seeing you..
From Eric Mirell, West Palm Beach, FL, Coral Sky Amphitheatre, August 25, 2018...
(Ed: Eric has been a long time collaborator with 'A Jeff Beck Webpage', he has kindly given us free server space for many years to bring you this webpage. Thanks Eric, BA.)
As I entered my 50th year as a Jeff Beck fan, I watched with great anticipation on ainian.com and social media as Jeff and company traversed the world and then the US, heading towards the final show last night here in Florida. I was thrilled to connect with so many friends and contributors to ainian.com both on line and in person at the West Palm Beach, Florida show on 8/25/18. The threat of rain didn’t diminish the crowd or the enthusiasm in the brutally humid Florida night. The Coral Sky Amphitheater was a great venue, open air and plenty of choices for eating and drinking in the concession area, easy parking and facilities.
This was to be the second to the last show of the tour, and our little group of fans and ainian.com contributors calculated about a combined 300+ years of fandom and over 500 shows since this lunacy began. This was an especially poignant meeting as it was the first tour since the loss of our fearless leader, Dick Wyzanski who along with Bill Armstrong founded ainian.com and became the first serious and the definitive archive of all things Beck on the internet. We tend to take things on the internet for granted, but back in the days before search engines and thousands of choices when searching ‘Jeff Beck’, it was a great connection for all of us and a sign that, well , maybe we are all a little crazy, but we have plenty of company. Those who knew and loved him ( including Jeff himself) acknowledge Dick as not just a fan, but a historian serious enough to help in more than one book about Jeff (including Jeff’s own BECK01 special collection : https://www.genesis-publications.com/book/9781905662371/beck01 ). I made Jeff chuckle as I told him it would take more than death to keep away Dicks spirit through us away from a tour.
There isn’t much I can add to the stellar reviews of the tour. Serious listeners seemed to agree this was the best tour ever, but I have always said Jeffs best show was the one you are currently attending. Jeff’s choice of material and band members for the tour was as always, spectacular. Prior to the tour there was plenty of speculation regarding Vanessa Freebairn-Smith, a cellist, being added to the mix. When they all played, the genius of this addition was evident in her low end sounds filling in the spaces where we might have been used to hearing a keyboard player or some synth or chords from the great Jennifer Batten. Jeff has always filled that space with brilliance.
Jeff hit the stage for a 70 minute set around 9:30 and was full of energy and addressed the audience with a ‘Now for something completely different’ greeting. He prowled the stage in a way that made him seem ageless. The audience was wildly enthusiastic having been warmed up by great sets by Deborah Bonham, English rock and blues vocalist ( and the sister of John Bonham, late Led Zeppelin drummer), Ann Wilson (Heart) and Paul Rogers (Free, Bad Company), but it was obvious everyone was there for Jeff. The set was packed with off the wall wailing guitar and the soft subtle stuff in a well balance set list. After months of fan debates (Jonathan Joseph or Vinnie Colaiuta), you couldn’t deny there was a powerhouse backing and of course the always incredible Rhonda Smith on bass, in her 10th year with Jeff. You don’t generally think of Beck music as music to dance to, but most songs found people out of their seats, pumping arms into the air and moving to the music. Sometime during the second song (Stratus), I felt such a connection with this music I have been listening to since I was 14 and realized I was so blessed to be there with my son.
I was lucky enough to not only spend a few minutes with Jeff and the band after the show , but to bring my 9 year old son along for his second Jeff Beck show. His first was in 2016 at Madison square garden where he also met Jeff. This time I have to say, I think he truly loved seeing Jeff, very few performers can generate that kind of infectious energy and enthusiasm, and even fewer can claim the length of the career and strength of the catalog and the on stage presence. The general consensus of the fans that are close to this website is, he will be back again. The love of his fans and the excellent tour management, and of course the music will help. I was told by a band member that Jeff was already talking about another one off gig and looking ahead. I am reminded that the great Les Paul played audiences into his 90’s so we could conceivably have another 20 years to savor , and another generation of fans is already in place. Buy (don’t stream) Jeff’s recordings (apply that to any artist you love), get out and see live music as often as you can, buy the artists merch, support the arts in a very real way.
Lastly, I know as a rule artists don’t appreciate live video and photo taking so I share this link below exclusively only with all of you faithful ainian.com readers and fans of Jeff around the world, so if you find the need to share , please send them to the main page so they get the whole Jeff Beck Experience . Peace and music to you all!
This is an addition to Eric's report by me, BA. At the West Palm show Eric gave Jeff a t-shirt he had made. On the front as you can see is a picture of Dick and Jeff at the August 2016 show at the same venue, The Coral Sky Amphitheater. That was the last show Dick and I went to together. The bill was Jeff Beck and ZZ Top. On the back was the 'A Jeff Beck Webpage' logo. Jeff graciously let pictures of him and the shirt be taken and here they are. Very cool, thanks again Eric.
(P.S. from time to time people ask me, 'What does 'ainian' refer to?' When Dick and I started this madness in 1995 I bought a domain name to use for the page and I thought for maybe other stuff too. (I actually do have an Armstrong family webpage attached to it.) Anyway, I have two children, Ainsley and Ian...get it? Be seeing you, BA)